# 凡骨问长生 · 美术设定集 > 画风：半写实厚涂 ## 场景清单 | ID | 场景 | 类型 | 出现集 | 锚点 | 光照 | 变体 | | --- | --- | --- | --- | --- | --- | --- | | S01 | 青石镇·义庄与街市 | 主场景 | 1、2、15、17、37、38、39、41、42、43、44、45 | 5 | 白昼春阳、夜雾 | — | | S02 | 玄霄剑宗（杂役院/演武场/剑庐） | 主场景 | 3、4、5、6、7、10、11、12、13、23、24、42 | 5 | 白昼演武、夜困大阵 | — | | S03 | 云梦泽·灵峰秘境 | 主场景 | 8、9、10、11 | 5 | 泽雾白昼、夜营篝火 | — | | S04 | 黑水城·赌坊与城外 | 一次性 | 14 | 5 | 夜街暗火、石室昏灯 | — | | S05 | 雁回关城头 | 主场景 | 20、21、22 | 5 | 白昼鏖战、血暮残阳 | — | | S06 | 魔渊·封印台与地宫 | 主场景 | 27、28、31、32、34、35、36、37、39、44 | 5 | 金光封渊、魔气裂隙 | — | | S07 | 魔渊外围·决战战场 | 主场景 | 28、29、30、31、33、34、35、36 | 5 | 白昼鏖战、魔气吞天 | — | | S08 | 荒山破庙与义庄废墟 | 变体 ← S01 | 15、18、19 | 5 | 深夜残月、余烬微光 | 相对 S01 青石镇·义庄与街市：整片街市烧成焦黑废墟——屋架、山墙、门板、棺木全部火烧旧化，新增荒山半塌破庙（倾颓泥神像、翻倒供案）与庙前翻倒的火盆，时段改深夜月夜，前景加余烬与灰烬，删去街市人烟陈设。 | | S09 | 大梁王都·听雨轩 | 变体 ← S01 | 16 | 5 | 夜雨 | 街市段把青石镇灰瓦泥墙换成大梁王都的朱漆楼阁与商肆牌匾，朝代陈设改为王都宫廷风格的斗拱雕花；室内段把义庄堂屋改为二楼茶楼布景，保留木窗与旧物陈列的亲近感，新增听雨匾额、焦尾琴与破窗裂口 | | S10 | 柳溪镇·字画铺 | 变体 ← S01 | 40 | 5 | 午后日光 | 义庄堂屋改作临街铺面陈设：棺木木作与神龛换成摊墨长案、字画卷轴与布招；整体色调从义庄的阴冷沉灰调成暖木色；窗外加柳树，垂柳拂进窗沿；外景从青石镇街口改作柳溪水岸小镇 | | S11 | 剑宗·剑冢 | 变体 ← S02 | 44 | 5 | 烛火夜 | 剑宗大殿改作剑冢：演武场与讲经座换成逐级抬高的万千剑架，明净天光换成成排烛火与昏夜氛围；新增空剑位、褪色剑穗、烛泪铜台与垂落旧幔，整体气质从宗门的堂皇改成墓园式的庄重 | | S12 | 魔渊外·红梅林 | 变体 ← S06 | 25、26、32、39 | 5 | 冬日灰雪、春日清晨 | 封印台外景加红梅前景：把地宫石室的封闭冷光换成露天梅林的灰白天光；前景新增横斜百年红梅与覆雪石径，远景保留封印台与锈锁链剪影；加季节变体——冬日红梅覆雪、春日白梅红梅并排盛放，并添一丘压梅孤坟 | --- ## S01 青石镇·义庄与街市 青石镇是主角的『根』，全剧从这里启程也在这里收束：街市烟火与义庄死亡同住一条街，说书人年年讲剑仙旧事，腊肉、账本、桃梅与墓碑都是人间的分量。设计意图是做出『最普通的温暖人间』——白天有烟火气，夜里藏着身世秘密；越平凡，焚镇、白发归乡与三百笼包子的余味越重。 ### 一致性锚点 1. **镇口老槐树与说书摊** — 街口一棵粗老槐树，树下旧木桌、一只豁口茶碗与一方醒木，摊前石阶被踩磨得发亮 2. **义庄黑漆大门** — 门楣低矮，黑漆门板起皮露木纹，门旁悬两盏褪色白灯笼，门槛被磨出凹弧 3. **劈柴木墩与柴垛** — 院中半人高木墩，墩面纵横劈痕，四周齐腰码着松木柴，墩边落一层木屑 4. **藏帕旧木柜** — 偏屋墙角老木柜，柜门脱漆、合页锈蚀，柜底隔板下有一块可掀起的暗板 5. **并排梅树** — 义庄侧墙外白梅红梅两株相邻，花期同开，树下泥地踩出一条小径 ### 光照与时段 - **白昼春阳**：`Bright spring daylight over an ancient Chinese cultivation-era market town, empty street with no people: warm sun on grey-tiled roofs, dappled locust shade on worn cobbles, a mourning hall with peeling black doors and faded white lanterns, stacked firewood in the courtyard, twin plum trees with white and red blossoms, dust motes drifting in light shafts` - **夜雾**：`Deep night in an ancient Chinese cultivation-era market town, empty street with no people: thin mist creeping along the cobbled corner, pale moonlight, a single dim lantern glow at the mourning hall doorway, dark masses of rooftops and the old locust tree, silent and still` ### 出图提示词包 **主视角 EN** ```text Ancient Chinese cultivation-era market town in bright spring daylight, empty scene, no people: a worn cobbled lane between low grey-tiled houses, an old locust tree at the street corner with a storyteller low wooden table, stool and brass gavel beneath it, a mourning hall with peeling black-lacquered double doors and two faded white lanterns, inside the courtyard a tall worn chopping block ringed by stacked firewood, an old cabinet with chipped paint and rusted hinges against the inner wall, twin plum trees with white and red blossoms blooming side by side beyond the wall, dust motes in light shafts, weathered wood, distant hills in morning haze ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art sheet for an ancient Chinese cultivation-era market town and funeral parlor. Master view on the upper left, about 72 percent of the width and 70 percent of the height: the standard spring-daylight view of the street — the old locust tree and storyteller table, the peeling black-lacquered mourning hall doors with faded white lanterns, the courtyard chopping block and firewood, the old cabinet, the twin plum trees with white and red blossoms. A right column of two stacked detail panels and a bottom row of three detail panels form an L-shaped border around the master view, separated by thin lines. Top right detail panel: the storyteller worn wooden table, a chipped tea bowl and a brass gavel under the locust tree. Middle right detail panel: the peeling black-lacquered double doors of the mourning hall and the two faded white lanterns. Bottom left detail panel: the worn chopping block and the stacked firewood in the courtyard. Bottom center detail panel: the chipped old cabinet with rusted hinges and its hidden bottom board. Bottom right detail panel: the white and red plum blossoms blooming side by side. Every detail panel is a cropped magnification of the same space shown in the master view; nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `weathered materials`, `cinematic`, `ancient chinese town` --- ## S02 玄霄剑宗（杂役院/演武场/剑庐） 玄霄剑宗是『门』：杂役院用劈柴教凡骨练心，演武场的哄笑与三剑打脸在此轮番上演，剑庐静室藏着师承与守护的转折。三块空间同宗不同质——杂役院低矮有烟火，演武场开阔带威仪，剑庐小而静、剑意内敛；山巅白云与长石阶把仙门与凡骨的距离拉得很远。 ### 一致性锚点 1. **杂役院劈柴石墩** — 院中央青石墩，墩面凹出深痕，周围柴垛齐腰高，墙根立水缸与扁担 2. **演武场青石高台** — 演武场正中一方青石比武台，台面密布剑痕，四角立矮石柱 3. **演武场石栏与剑幡** — 高台外三层石栏看台，栏间插玄色剑幡，幡面垂旧 4. **剑庐旧木门** — 崖边小木屋，木门包浆发亮，门楣挂一柄锈铁剑当匾 5. **剑庐静室剑架** — 室内临窗乌木剑架，架上一柄带穗长剑，架旁蒲团与矮几、茶盏 ### 光照与时段 - **白昼演武**：`Bright mountain daylight over an ancient Chinese cultivation sect, empty scene with no people: white clouds over grey-tiled ridge roofs, sunlight raking across a blue-grey stone dueling platform scarred by sword cuts, stone-railed spectator stands with black banners, a worn chopping stone and stacked firewood in the servants compound, a small weathered sword hut on the cliffside` - **夜困大阵**：`Night at an ancient Chinese cultivation sect, empty scene with no people: cold blue moonlight, a vast glowing protective formation washing pale light over stone steps and the closed mountain gate, thin fog drifting between pillars, deep shadows` ### 出图提示词包 **主视角 EN** ```text Ancient Chinese cultivation-era immortal sect on a high mountain, empty scene, no people: a training ground with a blue-grey stone dueling platform scarred by sword cuts, three tiers of stone-railed spectator stands with black sect banners, in the foreground a servants compound with a worn chopping stone, stacked firewood, water vats and carrying poles along the wall, a small weathered sword hut on the cliffside behind with a rusted iron sword hung over its polished wooden door, white clouds below the ridge, bright mountain daylight ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art sheet for an ancient Chinese cultivation-era immortal sect. Master view on the upper left, about 72 percent of the width and 70 percent of the height: the standard daylight view of the training ground — the sword-scarred blue-grey stone dueling platform, the stone-railed stands with black banners, the servants compound with chopping stone and firewood, the small sword hut on the cliffside. A right column of two stacked detail panels and a bottom row of three detail panels form an L-shaped border around the master view, separated by thin lines. Top right detail panel: the worn chopping stone and stacked firewood in the servants compound. Middle right detail panel: the sword-scarred surface of the blue-grey dueling platform. Bottom left detail panel: the stone-railed spectator stands with a black sect banner. Bottom center detail panel: the polished wooden door of the sword hut with a rusted iron sword hung above. Bottom right detail panel: the dark wooden sword rack by the window with a long tasselled sword, a cushion and a low tea table. Every detail panel is a cropped magnification of the same space shown in the master view; nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `weathered materials`, `cinematic`, `cultivation sect` --- ## S03 云梦泽·灵峰秘境 云梦泽·灵峰秘境是主角第一次走进仙途的野性深处：雾锁大泽、孤峰刺破天光，密林杀机与灵药同生，山腹洞穴的青石碑藏着身世与封印的钥匙。设计意图是『美而危险』——湿润雾气与古藤堆出秘境感，冷青石碑是全场的视觉焦点，夜里篝火是这片险地唯一的暖。 ### 一致性锚点 1. **青石碑** — 山腹洞穴深处半人高青石碑，碑面凹槽呈圆玉轮廓，碑脚生青苔 2. **灵峰孤崖** — 泽心陡峭石峰刺出雾海，峰腰缠古藤，峰顶裂一线天光 3. **雾中芦苇荡** — 泽面大片芦苇与荇草浮在水雾里，浅滩露黑泥与老树根 4. **古藤密林** — 岸边老林，合抱粗树干垂满藤萝，林下腐叶与白色小菌 5. **洞壁钟乳** — 山腹洞穴湿滑石壁，钟乳垂珠，石板接缝渗水 ### 光照与时段 - **泽雾白昼**：`Pale misty daylight over an ancient Chinese cultivation-era marsh, empty scene with no people: diffuse light through thick fog, a lone sheer stone peak rising above reed beds, volumetric haze, damp grey-green palette, wet stones and a dark cave mouth in the foreground` - **夜营篝火**：`Night at an ancient Chinese cultivation-era marsh camp, empty scene with no people: a small campfire casting warm orange light on wet stones and reed shadows, deep blue darkness and drifting fog beyond the firelight` ### 出图提示词包 **主视角 EN** ```text Ancient Chinese cultivation-era marsh wilderness, empty scene, no people: a vast misty wetland with dense reed beds and floating water plants, a lone sheer stone peak rising out of the fog in the distance, a bank of ancient forest hung with thick vines, a dark cave mouth in the hillside where a mossy blue-grey stele with a round-jade-shaped recess stands on wet stone, dripping stalactites inside, pale diffuse daylight and volumetric haze ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art sheet for an ancient Chinese cultivation-era misty marsh wilderness. Master view on the upper left, about 72 percent of the width and 70 percent of the height: the standard misty-daylight view of the marsh — the reed beds, the lone stone peak in the fog, the vine-hung ancient forest, the dark cave mouth with the mossy blue-grey stele. A right column of two stacked detail panels and a bottom row of three detail panels form an L-shaped border around the master view, separated by thin lines. Top right detail panel: the mossy blue-grey stele with its round-jade-shaped recess on the cave floor. Middle right detail panel: the sheer stone peak rising above the mist with vines around its waist. Bottom left detail panel: the reed beds and floating water plants in the fog. Bottom center detail panel: the vine-hung trunks of the ancient forest with fallen leaves and white fungi. Bottom right detail panel: the wet cave wall with dripping stalactites. Every detail panel is a cropped magnification of the same space shown in the master view; nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `weathered materials`, `cinematic`, `misty marsh` --- ## S04 黑水城·赌坊与城外 黑水城是魔道腹地，一集之内完成越阶反杀的黑城：街巷暗得像埋着刀，赌坊门脸金玉其外，地下石室却以凡人炼魂。设计意图是『金玉其外的恶』——临河街市挂红灯笼招客，石室冰冷腥暗；独立成景但自带两层空间，街景定城的气质，石室定戏的压迫。 ### 一致性锚点 1. **黑水河码头石阶** — 城边河水墨黑，石砌码头台阶湿滑，拴船铁环锈蚀 2. **富贵赌坊门脸** — 临街三层木楼，门楣悬黑底金漆匾额，檐下垂两盏红灯笼，门板漆皮剥落 3. **赌坊大堂赌桌** — 一楼乌木赌桌成排，桌沿包浆磨亮，梁下油灯盏盏 4. **石室炼魂阵** — 地下石室地面圆形阵纹，沟槽凝暗红痕迹，四角立黑石柱 5. **囚笼铁栏** — 石室一侧整排铁笼，粗黑铁栏，笼门挂锈锁链 ### 光照与时段 - **夜街暗火**：`Dark night street of an ancient Chinese cultivation-era black-market town, empty street with no people: inky black river reflecting a few red lanterns, dim oil lamps behind latticed windows of a three-storey wooden gambling den, wet cobbles, heavy shadows and low haze` - **石室昏灯**：`Underground stone chamber in an ancient Chinese cultivation-era town, empty scene with no people: a single dim oil lamp, faint red-glowing ritual lines carved into the stone floor, cold damp stone walls, rows of iron cages in shadow` ### 出图提示词包 **主视角 EN** ```text Ancient Chinese cultivation-era black-market river town at night, empty scene, no people: a narrow cobbled street beside an inky black river, wet stone dock steps with rusted iron mooring rings, a three-storey wooden gambling den with peeling lacquer and a faded signboard over the door, dim oil lamps behind latticed windows, two red lanterns under the eaves, red light reflecting on wet cobbles, heavy shadows and low haze ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art sheet for an ancient Chinese cultivation-era black-market river town. Master view on the upper left, about 72 percent of the width and 70 percent of the height: the standard night view of the street — the inky river, the stone dock steps, the three-storey gambling den with red lanterns and dim oil lamps. A right column of two stacked detail panels and a bottom row of three detail panels form an L-shaped border around the master view, separated by thin lines. Top right detail panel: the wet stone dock steps with rusted iron mooring rings by the black river. Middle right detail panel: the faded signboard and peeling lacquer of the gambling den facade. Bottom left detail panel: the rows of worn dark-wood gambling tables and hanging oil lamps inside the den. Bottom center detail panel: the circular ritual lines carved into the stone floor of the underground chamber. Bottom right detail panel: the row of iron cages with rusted chains in the stone chamber. Every detail panel is a cropped magnification of the same space shown in the master view; nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `weathered materials`, `cinematic`, `dark night town` --- ## S05 雁回关城头 边关最险的一道门。血朝大军围关七日，这座城头被打烂又立住——犬牙缺口、断矛、箭簇密布的木柱，都是脊梁被反复敲打过的证据。少年在这里接过旧剑，也在这里以一剑断帅旗。空间的气质是悲壮与燃：粗粝、染血、却始终挺立。 ### 一致性锚点 1. **犬牙缺口雉堞** — 城头外侧雉堞被攻城石砸出多个豁口，缺口边缘崩裂成犬牙状，露出青灰色夯土与焦黑灼痕 2. **断矛圆石堆** — 垛口内侧堆着碗口大的圆石和数十根断矛，石面沾着干涸发黑的旧血渍 3. **箭簇密布的木柱** — 城楼正面木柱钉满断箭镞，柱身刀痕入木，靠近地面处有一道暗红血渍 4. **卷焦的玄色战旗** — 旗杆上玄色战旗被风撕成几缕、旗边焦卷，缺了一角，仍在城头猎猎作响 5. **石板上的笔直剑痕** — 城头石板上一道从垛口直贯城楼门的深剑痕，边缘泛白、无分岔，像一条脊梁线 ### 光照与时段 - **白昼鏖战**：`harsh white daylight over the battle-worn wall top of an ancient Chinese frontier pass in the cultivation era, dust haze and thin smoke drifting across the parapet, broken crenellations casting hard short shadows, arrow-studded wooden pillars, scorched tattered black banner, bright overcast sky with a pale sun disc, volumetric dust shafts, wide cinematic establishing angle; empty scene, no people` - **血暮残阳**：`blood-red sunset after the siege, low warm sun raking across the worn flagstones of an ancient Chinese frontier pass wall top in the cultivation era, long shadows from broken crenellations and the timber gate tower, tattered black banner silhouetted against the orange-red sky, embers and smoke wisps rising from the outer rampart, cool blue shadow pooling in sheltered corners; empty scene, no people` ### 出图提示词包 **主视角 EN** ```text Empty wide establishing view of the battered wall top of an ancient Chinese frontier fortress pass in the cultivation era, overlooking a vast dusty plain beyond the outer rampart; broken dog-tooth crenellations along the parapet, heaps of round stone ammunition and broken spears stacked inside the battlements, a timber gate tower whose pillars bristle with arrowheads and deep blade cuts, a scorched tattered black war banner streaming from the flagpole, a single straight deep sword scar cutting across the flagstone deck from parapet to tower door; harsh white daylight with dust haze, weathered grey stone, charred timber, splintered wood, faded bloodstains on the stones; empty scene, no people, no characters, no crowds ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text Environment model sheet on ONE 16:9 landscape canvas. Layout: a large master view in the upper-left area, about 72% of the canvas width and 70% of the height, showing the standard establishing angle of the battle-worn wall top of an ancient Chinese frontier pass in the cultivation era, lit by the first lighting state 'harsh white daylight': broken dog-tooth crenellations, heaps of round stone ammunition and broken spears, arrow-studded timber gate tower, scorched tattered black banner, a straight deep sword scar across the flagstones, dusty plain beyond the wall. Along the right edge, a vertical column of two detail cells; along the bottom, a row of three detail cells; all five detail cells are magnified crops of consistency anchors taken from the master view: the dog-tooth broken crenellation with charred edge, the stone pile with dried bloodstains, the arrow-studded pillar with blade cuts, the torn scorched banner, the straight deep sword scar. Nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere, no characters, no crowds. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `battle-worn fortress`, `weathered materials`, `cinematic` --- ## S06 魔渊·封印台与地宫 天与地的接缝，全剧最重的一个『坑』。地宫像一口倒扣的深井，封印台是井底的心脏，金色光幕把魔渊死死压住——光幕之下是深渊的呼吸。这里发生全剧最大的牺牲与守护：合璧、裂玉、挡掌、三剑并插、以身为薪。要神圣与恐怖并存的临界感：金光越亮，裂纹越深。 ### 一致性锚点 1. **圆玉凹槽** — 封印台台面正中的圆形凹槽，槽沿刻一圈细密符文，槽底有金色熔灼痕，槽形恰容两半圆玉合璧 2. **蛛裂金光幕** — 罩住渊口的金色光幕，表面密布蛛网状裂纹，裂纹里渗出青黑色魔气 3. **三柄并插旧剑** — 封印台前地上三柄剑并排插立，剑身斑驳、剑穗褪色，其中一柄剑刃有崩口 4. **环形沉降石阶** — 封印台外围向下沉降的三层环形石阶，石阶表面磨得发亮、缝里积着灰 5. **嵌链石锁** — 石阶与台基间数条粗铁链嵌入石缝，锈迹斑斑，链环上结着黑色晶簇 ### 光照与时段 - **金光封渊**：`a vast circular stone seal platform in a dark underground abyss shrine of the ancient Chinese cultivation era, one dome of golden light rising from the central recess and covering the dark vertical shaft, golden glow as the only key light washing over ringed stone steps and the three planted swords, deep blue-black shadow in the surrounding cavern, faint green-black mist curling at the light boundary, dust motes floating in the light; empty scene, no people` - **魔气裂隙**：`the same underground seal platform under duress in the ancient Chinese cultivation era, the golden light dome fractured by spiderweb cracks, black-purple demonic qi seeping through every fissure and pooling across the stone floor, flickering unsteady golden light, red-violet highlights on rusted chains and sword blades, dark oppressive atmosphere; empty scene, no people` ### 出图提示词包 **主视角 EN** ```text Empty wide establishing view of the underground seal platform inside the abyss shrine, an ancient Chinese cultivation-era ritual cavern: a vast circular stone platform at the centre with a circular recess carved into its top, a dome of golden light rising from the recess and covering a dark vertical shaft, thin golden light washing over three tiers of ringed stone steps, thick rusted iron chains embedded in the stone floor with black crystal clusters, three old swords planted side by side in the stone before the platform, faint spiderweb cracks on the golden light dome; deep blue-black shadows in the surrounding cavern, faint green-black mist at the light boundary; empty scene, no people, no characters, no crowds ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text Environment model sheet on ONE 16:9 landscape canvas. Layout: a large master view in the upper-left area, about 72% of the canvas width and 70% of the height, showing the standard establishing angle of the underground seal platform of an ancient Chinese cultivation-era abyss shrine, lit by the first lighting state 'golden light sealing the abyss': circular stone platform with the circular recess, golden light dome covering the dark vertical shaft, three tiers of ringed stone steps, rusted chains with black crystals, three old swords planted before the platform. Along the right edge, a vertical column of two detail cells; along the bottom, a row of three detail cells; all five detail cells are magnified crops of consistency anchors taken from the master view: the rune-carved circular recess with golden burn marks, the spiderweb cracks on the golden light dome leaking black qi, the three planted swords with faded tassels and a chipped blade, the ringed stone steps, the rusted chains with black crystal clusters. Nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere, no characters, no crowds. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `underground shrine`, `golden seal light`, `cinematic` --- ## S07 魔渊外围·决战战场 天下所有的刀都指向同一个坑。魔渊外这片被踩烂的荒原，正道与魔道列阵七天七夜——焦土、阵旗、断兵与车辙，远处封印台的金光是战场上唯一一盏不灭的灯。辽阔、肃杀、悲壮，是末日来临前凡人与修士并肩站着的地方。 ### 一致性锚点 1. **两军阵旗分界** — 战场中央一条焦土分界线，两侧密插残破阵旗，旗杆折断倾斜，旗面焦裂 2. **烧焦的荒原树桩** — 战场边缘几棵烧成焦黑的枯树桩，树根处积着灰烬与断甲残片 3. **断兵与铜盾** — 焦土上斜插的断剑、残矛与砸扁的铜盾，蒙着尘与干血 4. **远方的封印台金光** — 地平线上魔渊封印台的金色光幕如一点灯火，是整片战场唯一的暖色 5. **深陷车辙的泥泞军道** — 贯穿战场的泥泞军道，车辙深陷、积水反着灰白天光 ### 光照与时段 - **白昼鏖战**：`flat grey daylight over a vast war-torn wasteland battlefield outside the abyss in the ancient Chinese cultivation era, dust and smoke haze from campfires and cavalry, a muddy rutted military road crossing the scorched earth, broken banners and discarded weapons scattered around, a faint golden seal-light dome on the horizon, overcast sky with a pale sun disc, harsh wide battlefield scale; empty scene, no people` - **魔气吞天**：`the same battlefield at night under a black-purple demonic tide in the ancient Chinese cultivation era, the sky drowned in rolling dark qi, red-violet glow rising from the abyss on the horizon, embers and ash drifting on the wind, silhouetted broken banners and charred tree stumps, cold blue moonlight breaking through cracks in the dark clouds, apocalyptic wide shot; empty scene, no people` ### 出图提示词包 **主视角 EN** ```text Empty wide establishing view of the vast war-torn wasteland outside the abyss in the ancient Chinese cultivation era, a battlefield after days of siege: scorched earth crisscrossed by a deep muddy military road with sunken cart ruts, rows of broken banners on both sides of a blackened dividing line, charred tree stumps, discarded broken swords, spears and crushed bronze shields lying on the ground, a faint golden light dome on the horizon marking the seal platform of the abyss, dust and smoke haze under a flat grey overcast sky; empty scene, no people, no characters, no crowds ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text Environment model sheet on ONE 16:9 landscape canvas. Layout: a large master view in the upper-left area, about 72% of the canvas width and 70% of the height, showing the standard establishing angle of the vast war-torn battlefield outside the abyss in the ancient Chinese cultivation era, lit by the first lighting state 'grey daylight battle': scorched earth with the muddy rutted military road, rows of broken banners along the blackened dividing line, charred tree stumps, discarded swords spears and crushed bronze shields, faint golden seal-light dome on the horizon. Along the right edge, a vertical column of two detail cells; along the bottom, a row of three detail cells; all five detail cells are magnified crops of consistency anchors taken from the master view: the leaning broken banners along the scorched dividing line, the charred tree stump with ash and armour scraps, the broken sword and crushed bronze shield, the muddy cart ruts reflecting grey sky, the distant golden light dome on the horizon. Nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere, no characters, no crowds. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `epic battlefield`, `scorched wasteland`, `cinematic` --- ## S08 荒山破庙与义庄废墟 家被烧成灰之后的样子。同一片青石镇街市，如今只剩焦黑屋架、半扇门板和倾颓的神像——观众要能认出这是 S01 那个镇子，却处处是火烧过的痕迹。破庙是废墟里唯一能遮风的地方，神像脸上燎着黑斑。气质是荒、冷、虐：熟悉的地方陌生得可怕。 ### 一致性锚点 1. **焦黑屋架与半塌山墙** — 街市两侧屋架烧成焦炭、椽木裸露，山墙半塌堆着碎瓦与灰烬 2. **半扇焦门板** — 义庄大门烧剩半扇门板斜倚门框，板面爆裂起翘、露出白木茬 3. **倾颓泥神像** — 破庙内泥塑神像半身倾颓，面部被火燎出黑斑，供案翻倒压着残香烛 4. **翻倒的火盆** — 庙前空地一只翻倒的铁火盆，盆口积着烧卷的纸页灰烬 5. **烧剩的棺木板** — 废墟道边半截焦黑棺木板，未燃尽的边缘露出新鲜白茬 ### 光照与时段 - **深夜残月**：`cold moonlight over burned ruins of an ancient Chinese cultivation-era village and a ruined temple on a barren mountain, charred house frames and collapsed gable walls, a half-burned door plank, a toppled smoke-blackened mud idol, an overturned fire basin with ash, pale blue night light with faint ember glow deep inside the ruins, long shadows, desolate silence; empty scene, no people` - **余烬微光**：`the same burned ruins in deep night lit only by dying embers, warm orange glow flickering from collapsed beams and the overturned fire basin, cold moonlight competing from above, smoke haze catching the light, charred timber and grey ash everywhere, lonely desolate atmosphere; empty scene, no people` > 变体来源：S01　改动：相对 S01 青石镇·义庄与街市：整片街市烧成焦黑废墟——屋架、山墙、门板、棺木全部火烧旧化，新增荒山半塌破庙（倾颓泥神像、翻倒供案）与庙前翻倒的火盆，时段改深夜月夜，前景加余烬与灰烬，删去街市人烟陈设。 ### 出图提示词包 **主视角 EN** ```text Empty wide establishing view of burned ruins of an ancient Chinese cultivation-era village street on a barren mountain slope, with a half-collapsed ruined temple on the higher ground: charred house frames and collapsed gable walls with exposed rafters, a half-burned door plank leaning against a scorched gate frame, a toppled mud idol inside the ruined temple with a blackened smoke-stained face, an overturned iron fire basin with curled paper ashes in front of the temple, a half-burnt coffin plank by the roadside, ash and rubble covering the ground; cold deep-night moonlight with faint ember glow inside the ruins; empty scene, no people, no characters, no crowds ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text Environment model sheet on ONE 16:9 landscape canvas. Layout: a large master view in the upper-left area, about 72% of the canvas width and 70% of the height, showing the standard establishing angle of the burned village ruins with the ruined temple on the barren mountain slope in the ancient Chinese cultivation era, lit by the first lighting state 'cold moonlight in deep night': charred house frames and collapsed gable walls, half-burned door plank, ruined temple with the toppled mud idol, overturned fire basin with ashes, half-burnt coffin plank, ash-covered ground. Along the right edge, a vertical column of two detail cells; along the bottom, a row of three detail cells; all five detail cells are magnified crops of consistency anchors taken from the master view: the charred house frame with exposed rafters, the half-burned door plank with cracked grain, the toppled smoke-blackened mud idol, the overturned fire basin with curled paper ashes, the half-burnt coffin plank with fresh white edge. Nothing invented that is not present in the master view. THE SPACE MUST BE IDENTICAL ACROSS ALL PANELS. Absolutely no people anywhere, no characters, no crowds. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth. Weathered, lived-in materials: chipped paint, water stains, patina on metal, worn wood grain, dust in corners and light shafts; fabric and paper props show creases and age; nothing looks factory-new. Atmospheric depth with haze or volumetric light where the space allows ``` `semi-realistic`, `environment sheet`, `painterly`, `burned ruins`, `ruined temple`, `cinematic` --- ## S09 大梁王都·听雨轩 身世揭破被压进一场雨夜茶楼的交锋：临街听雨却杀机四伏，暖烛下捧出旧物验证身世，血色随雨破窗而来——这间茶楼既是尘世最软的栖息地，也是真相与追杀同席的孤岛，讲的是『认出你身世的那一刻，人间就再无藏身处』。 ### 一致性锚点 1. **听雨匾额** — 二楼中堂悬挂的横匾，『听雨』二字墨色沉旧，边角漆皮剥落露出木纹 2. **缺口青瓷盏** — 博古架上层一只缺口青瓷茶盏，釉面冰裂纹，是茶楼主人舍不得扔的旧物 3. **临街雕花木窗** — 面向街市的褪金雕花木窗，窗纸裱过一层，雨夜雨水沿窗棂连成细线 4. **旧焦尾琴** — 靠窗琴台上的旧焦尾琴，弦少一根，琴面有长年抚按留下的包浆 5. **破纸东窗** — 东侧窗纸被外力撕破的窗洞，边缘纸屑卷起，是袭杀闯入留下的裂口 ### 光照与时段 - **夜雨**：`rainy night in an ancient Chinese cultivation era, a second-floor tea house interior facing the imperial capital street, warm amber lantern light and flickering candle glow against wet dark windowpanes, rain streaking the carved window lattice, steam rising from a clay teapot, deep blue night beyond the glass, painterly chiaroscuro, empty scene, no people` > 变体来源：S01　改动：街市段把青石镇灰瓦泥墙换成大梁王都的朱漆楼阁与商肆牌匾，朝代陈设改为王都宫廷风格的斗拱雕花；室内段把义庄堂屋改为二楼茶楼布景，保留木窗与旧物陈列的亲近感，新增听雨匾额、焦尾琴与破窗裂口 ### 出图提示词包 **主视角 EN** ```text Interior of a second-floor tea house in the Great Liang capital in an ancient Chinese cultivation era, a horizontal wooden plaque with two dark characters hanging over the main hall, a cracked celadon teacup on a display shelf, an old qin zither missing one string resting on a window-side table, a torn paper window on the east wall, gilded carved window lattices with rain streaking outside, warm candle and lantern light against the rainy night, glimpse of a rain-wet imperial market street through the window, empty scene, no people, no crowds ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art plate of a rainy-night tea house in the Great Liang imperial capital. The left and centre hold one large hero establishing shot: the second-floor tea house interior with the plaque, gilded rain-streaked windows, warm lantern light and the torn east window. A narrow L-shaped strip along the bottom edge and the right edge holds five detail cells, each a close-up of one signature anchor: the worn plaque, the cracked celadon teacup, the rain-streaked carved window, the old qin zither, the torn paper window. Details in flat painterly value blocks with clean edges and caption boxes. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` `tea house interior`, `rainy night`, `imperial capital`, `candlelight`, `chinese antique woodwork` --- ## S10 柳溪镇·字画铺 凡骨之后的人间回甘：一间开在柳溪边的小字画铺，屋檐低矮、墨香混着酒气，褪去修为的人用左手重新提笔，把『脊梁』写进招牌字里——这里讲的是英雄卸下光环后仍以凡躯挺直的日子，也是旧友一坛酒便和解的暖镇。 ### 一致性锚点 1. **垂柳拂窗** — 窗外老柳的细枝垂进窗沿，柳叶在风里扫过晾墨的纸边 2. **摊墨长案** — 铺面中央的长案铺着毡毯，案上摊开半张宣纸、一方旧砚与一管未洗的笔 3. **墨字纸卷** — 墙角成捆卷起的字画卷轴，散开一幅写着『以凡骨立天地』，墨迹犹新 4. **门边酒坛** — 门口青石阶边靠着一只粗陶酒坛，坛口红布扎口，封泥半干 5. **褪色布招** — 檐下垂下的布招写着『字画』二字，布面被日晒雨淋褪成灰白 ### 光照与时段 - **午后日光**：`sunny afternoon in an ancient Chinese cultivation era, a small painting and calligraphy shop by a willow-lined river town, warm golden sunlight streaming through paper windows onto a long felt-covered table, willow branches swaying outside the open window, dust motes in the light shaft, ink and rice paper on the table, soft worn wood grain, empty scene, no people` > 变体来源：S01　改动：义庄堂屋改作临街铺面陈设：棺木木作与神龛换成摊墨长案、字画卷轴与布招；整体色调从义庄的阴冷沉灰调成暖木色；窗外加柳树，垂柳拂进窗沿；外景从青石镇街口改作柳溪水岸小镇 ### 出图提示词包 **主视角 EN** ```text A small calligraphy and painting shop in a willow-lined river town in an ancient Chinese cultivation era, low tiled eaves with a faded hanging shop sign, open paper windows with willow branches reaching into the frame, a long felt-covered table with spread rice paper, an old inkstone and a resting brush, rolled scrolls stacked in a corner beside a hanging ink banner of fresh calligraphy, a clay wine jar by the stone doorstep, warm afternoon sunlight and dust motes, empty scene, no people ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art plate of a small willow-river town calligraphy shop. The left and centre hold one large hero establishing shot: the shop front with the faded hanging sign, willow branches by the open window and the sunlit long felt-covered table inside. A narrow L-shaped strip along the bottom edge and the right edge holds five detail cells, each a close-up of one signature anchor: the willow branch brushing the window, the spread ink paper and inkstone on the table, the fresh ink banner, the clay wine jar by the doorstep, the faded hanging sign. Details in flat painterly value blocks with clean edges and caption boxes. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` `calligraphy shop`, `willow river town`, `afternoon sunlight`, `chinese ink painting`, `wooden shopfront` --- ## S11 剑宗·剑冢 宗门百年沉默的墓园式大殿：万千剑冢在烛火里列阵，锈剑如碑，一柄剑等了一个世纪才等到配得上它的手——这里讲的是传承的重量与等待，烛影里每一柄剑都立着一道没被忘记的脊梁。 ### 一致性锚点 1. **层层剑架** — 大殿两侧逐级抬高的木剑架，密密麻麻插满锈蚀旧剑，剑身结着暗红锈斑 2. **空位与剑穗** — 最末一座剑架顶端留着一个空位，旁边一柄剑的柄端系着褪成灰红的旧剑穗 3. **烛泪铜台** — 供案上一排铜烛台，烛泪层层堆叠凝固，火光在剑身上拖出长影 4. **磨痕青砖** — 殿中青砖地面被经年脚步与剑鞘磨出光滑凹痕，砖缝积灰 5. **垂落旧幔** — 殿顶垂下半朽的暗色旧幔，边缘绽线，在气流里轻轻晃动 ### 光照与时段 - **烛火夜**：`night in an ancient Chinese cultivation era, the sword burial hall of a sword sect, rows of sword racks receding into darkness, hundreds of rusted blades standing like steles, warm candle flames on copper stands casting long flickering shadows, drifting dust in the candlelight, dim hall with old hanging drapery, solemn and reverent, empty scene, no people` > 变体来源：S02　改动：剑宗大殿改作剑冢：演武场与讲经座换成逐级抬高的万千剑架，明净天光换成成排烛火与昏夜氛围；新增空剑位、褪色剑穗、烛泪铜台与垂落旧幔，整体气质从宗门的堂皇改成墓园式的庄重 ### 出图提示词包 **主视角 EN** ```text A vast candlelit sword burial hall of a sword sect in an ancient Chinese cultivation era, tiered wooden sword racks lining both walls and packed with hundreds of rusted old blades, one empty slot at the top of the last rack beside a sword with a faded grey-red tassel, rows of copper candlesticks on an offering table with thick dripped candle wax, worn glossy grooves in the grey brick floor, half-rotted dark drapery hanging from the high ceiling, long candle shadows across the blades, solemn and still, empty scene, no people ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art plate of a candlelit sword burial hall. The left and centre hold one large hero establishing shot: the hall with tiered sword racks fading into darkness, the offering table candles and the empty rack slot with the faded tassel. A narrow L-shaped strip along the bottom edge and the right edge holds five detail cells, each a close-up of one signature anchor: the rusted blades in the rack, the empty slot with the faded tassel, the dripped candle wax on the copper stand, the worn grooves in the brick floor, the frayed hanging drapery. Details in flat painterly value blocks with clean edges and caption boxes. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` `sword burial hall`, `candlelight`, `sword sect`, `rusted blades`, `solemn interior` --- ## S12 魔渊外·红梅林 魔渊门前最后一片柔软的颜色：铁骨般的百年红梅横在裂渊与封印台之间，花开花落替人间守着悲欢——剑心反噬、故人长眠都落在这片梅林，这里讲的是『在最冷的地方开最烈的花』，也是死亡与新生反复交替的边境。 ### 一致性锚点 1. **横斜老梅** — 一株百年红梅横斜探向封印台方向，枝干如铁，冬雪里开着稠密的红梅 2. **孤坟压梅** — 梅林深处一丘孤坟，坟头压着一枝干红梅，封土边缘长出新草 3. **远处封印台** — 梅林尽头的残破石台与锈锁链剪影，石面裂缝渗出微光 4. **覆雪石径** — 梅林间一条覆雪石板小径，雪面落着零散红梅花瓣 5. **并排双梅** — 春天里一株白梅一株红梅并排盛放，枝条交错，花瓣铺满树下 ### 光照与时段 - **冬日灰雪**：`winter day in an ancient Chinese cultivation era, red plum forest outside a demon abyss, grey snow sky, crimson plum blossoms heavy with snow on iron-black branches, a ruined sealing platform and rusted chains in the far background, snow-covered stone path scattered with red petals, cold diffused light, painterly depth, empty scene, no people` - **春日清晨**：`early spring morning in an ancient Chinese cultivation era, red and white plum trees blooming side by side in a forest outside a demon abyss, soft pink dawn light through mist, dew on petals, a low grave mound under the plum trees, the sealing platform silhouette far behind, fresh green grass, empty scene, no people` > 变体来源：S06　改动：封印台外景加红梅前景：把地宫石室的封闭冷光换成露天梅林的灰白天光；前景新增横斜百年红梅与覆雪石径，远景保留封印台与锈锁链剪影；加季节变体——冬日红梅覆雪、春日白梅红梅并排盛放，并添一丘压梅孤坟 ### 出图提示词包 **主视角 EN** ```text A red plum forest at the edge of a demon abyss in an ancient Chinese cultivation era, a centuries-old crimson plum tree with iron-black branches leaning toward the ruined stone sealing platform with rusted chains in the far background, dense red blossoms heavy with snow, a snow-covered stone path scattered with red petals winding through the trees, a low grave mound with a dried red plum sprig on it, cold grey winter sky, painterly depth, empty scene, no people ``` **反向提示词** ```text people, human figures, characters, crowds, silhouettes of people, plastic CG look, oversaturated colours, sterile showroom cleanliness, warped perspective, melted geometry, floating objects, text, watermark, signature ``` **设定图 EN** ```text 16:9 environment concept art plate of the red plum forest outside the demon abyss. The left and centre hold one large hero establishing shot: the leaning ancient crimson plum tree in snow with the ruined sealing platform and rusted chains far behind. A narrow L-shaped strip along the bottom edge and the right edge holds five detail cells, each a close-up of one signature anchor: the iron-black branching trunk with snow-laden red blossoms, the grave mound with the dried red plum sprig, the snow-covered stone path with red petals, the distant sealing platform silhouette, the side-by-side white and red plum trees in spring bloom. Details in flat painterly value blocks with clean edges and caption boxes. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` `red plum forest`, `demon abyss`, `winter snow`, `sealing platform`, `ancient cultivation era` --- ## 道具清单 | ID | 道具 | 尺度 | 状态 | 关联场景 | 出现集 | 锚点 | | --- | --- | --- | --- | --- | --- | --- | | P01 | 半块玉佩（魔渊之钥） | 手持级 | 半块、两半合璧 | S01、S02、S03、S06 | 1、2、4、8、9、10、15、16、17、19、20、21、22、25、26、27、28、29、30、31、32、33、34、35、36 | 5 | | P02 | 听雪剑 | 手持级 | 佩鞘、出鞘 | S02、S05、S06、S11 | 7、11、12、13、20、21、24、25、26、27、29、30、31、32、34、35、36、37、38、40、41、42、44 | 4 | | P03 | 梁青崖旧剑 | 手持级 | 入鞘、出鞘 | S05、S06 | 20、21、22、34、35、36、44 | 4 | | P04 | 梅花帕 | 手持级 | 叠好、展开 | S01、S09 | 1、16 | 4 | | P05 | 腊肉包 | 手持级 | 包着、打开 | S01 | 3、15、19、32、41、42、44、45 | 4 | | P06 | 账本（三百六十笼） | 桌面级 | 合着、翻开 | S01 | 19、42、43 | 4 | | P07 | 青铜戒（柳含烟遗信） | 手持级 | 合着、旋开 | S06、S12 | 39 | 4 | | P08 | 镇渊令 | 手持级 | 正面、背面 | S08、S06 | 18、19、23、27 | 4 | --- ## P01 半块玉佩（魔渊之钥） 身世与封印的钥匙：母遗物、养父守护半生，两半合璧即锁渊——全剧最大的悬念物证 ### 一致性锚点 1. **断口旧磨痕** — 半圆形残玉的断口被摩挲得圆润发亮 2. **云纹涡心** — 玉面中央一圈云纹涡旋，刻痕深浅不一 3. **沁色斑驳** — 青玉上分布黄褐沁斑，像年久的泪痕 4. **红绳穿孔** — 顶部一枚钻孔，穿旧红绳，绳结打成平安结 5. **背面细裂纹** — 玉背一道细如发丝的新裂纹，合璧后才会消失 ### 状态变体 - **半块**：`the jade half-disc pendant on pure white background, handheld scale, broken edge worn smooth, cloud-whorl carving, red silk cord through the hole, celadon nephrite with brown patina stains, three-quarter view, semi-realistic painterly, no people no hands` - **两半合璧**：`two jade half-discs joined into one full round jade on pure white background, handheld scale, a thin hairline crack where the halves meet, cloud-whorl carving continuous across the seam, red silk cord, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the jade half-disc pendant on pure white background, handheld scale, ancient Chinese nephrite jade, celadon green with warm brown patina stains, broken edge worn smooth, carved cloud-whorl pattern, red silk cord through a drilled hole, three-quarter view, soft directional light, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the handheld scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing five: break edge close-up, cloud-whorl carving, patina stain detail, cord knot, hairline crack small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` --- ## P02 听雪剑 师承与守护的象征：风清源赐剑→沈砚佩剑→传狗蛋→剑冢待主，剑穗平安结是云芷柔的牵挂 ### 一致性锚点 1. **霜纹剑身** — 银白剑身布满细密霜纹，出鞘时泛冷光 2. **乌木剑鞘** — 乌木鞘身缠旧布带，布边磨出毛边 3. **云纹剑格** — 铜制剑格刻云纹，氧化发暗 4. **褪色剑穗** — 剑柄系淡青剑穗，穗尾一枚刻『平安』的木珠，颜色洗淡 ### 状态变体 - **佩鞘**：`the sheathed longsword on pure white background, handheld scale, dark ebony scabbard wrapped with worn cloth, cloud-pattern bronze guard, faded pale-blue tassel with a wooden bead, lying at an angle, semi-realistic painterly, no people no hands` - **出鞘**：`the drawn longsword on pure white background, handheld scale, silver blade with frost-like grain catching light, cloud-pattern bronze guard, faded pale-blue tassel, blade angled upward, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the longsword with silver frost-grain blade on pure white background, handheld scale, ancient Chinese sword, dark ebony scabbard wrapped with worn cloth, bronze cloud-pattern guard, faded pale-blue tassel with a small wooden bead, diagonal composition, soft directional light, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the handheld scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing five: frost grain on the blade, scabbard cloth binding, cloud-pattern guard, tassel and wooden bead, blade tip small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` --- ## P03 梁青崖旧剑 脊梁的托付：雁回关传剑后成为封印台三剑之一，见证凡骨守关 ### 一致性锚点 1. **铜口磨损** — 剑鞘铜口磨得发亮，露出铜色 2. **剑身缺口** — 剑刃中部一道旧缺口，是边关砍出来的 3. **缠绳发黑** — 剑柄缠绳旧得发黑，尾端松散 4. **朴素剑格** — 剑格无纹，铁色哑光，毫无装饰 ### 状态变体 - **入鞘**：`the battle-worn longsword sheathed on pure white background, handheld scale, plain iron guard, worn dark cord-wrapped hilt, brass scabbard mouth polished bright, semi-realistic painterly, no people no hands` - **出鞘**：`the battle-worn longsword drawn on pure white background, handheld scale, steel blade with a notch near the middle, plain iron guard, worn dark cord-wrapped hilt, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the battle-worn longsword on pure white background, handheld scale, ancient Chinese frontier sword, plain matte iron guard, dark worn cord-wrapped hilt, brass scabbard mouth polished bright, steel blade with a visible notch, slight angle, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the handheld scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing four: blade notch close-up, scabbard mouth, cord wrapping, plain guard small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` --- ## P04 梅花帕 身世线索与亲情锚：娘不会说话，把话说在帕子上；从义庄到身世揭破再到裱挂正堂 ### 一致性锚点 1. **洗白素帕** — 帕子洗得发白，布纹松散 2. **红梅绣** — 帕角一枝半开的红梅绣，针脚细密 3. **褪色线** — 绣线褪色，红得不均匀 4. **折痕** — 帕身有常年对折的深折痕 ### 状态变体 - **叠好**：`the folded white handkerchief on pure white background, handheld scale, one corner showing a faded red plum-blossom embroidery, old creases, soft cloth texture, semi-realistic painterly, no people no hands` - **展开**：`the unfolded white handkerchief on pure white background, handheld scale, a branch of half-open red plum blossoms embroidered in the corner, washed-out thread, old creases, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the washed-white cotton handkerchief on pure white background, handheld scale, ancient Chinese cloth, a small faded red plum-blossom branch embroidered in one corner, visible thread and old fold creases, laid flat, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the handheld scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing four: plum blossom embroidery, thread detail, fold creases, corner edge small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` --- ## P05 腊肉包 亲情的锚：养父连夜熏的腊肉，沈砚舍不得吃收了一辈子，番外由云芷柔与狗蛋接力传承 ### 一致性锚点 1. **油纸包** — 土黄色油纸裹得方正，油渍透纸 2. **荷叶外层** — 油纸外再包一层干荷叶，叶脉清晰 3. **红绳十字** — 红绳在包裹上系成十字结，绳头留一截 4. **厚切腊肉** — 打开后是厚切的五花腊肉条，油亮琥珀色 ### 状态变体 - **包着**：`the parcel wrapped in oil paper and dried lotus leaf tied with red cord cross on pure white background, handheld scale, grease stains showing through the paper, semi-realistic painterly, no people no hands` - **打开**：`the opened parcel on pure white background, handheld scale, thick-cut cured pork belly strips, amber and glossy, sitting on the oil paper and lotus leaf, red cord beside, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the parcel of cured pork wrapped in oil paper and dried lotus leaf tied with red cord on pure white background, handheld scale, ancient Chinese home-cured meat, grease stains on the paper, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the handheld scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing five: red cord knot, lotus leaf veins, oil stain, cured meat slice, parcel corner small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` --- ## P06 账本（三百六十笼） 兄弟情的载体：从赊账到决裂再到『一笔勾销』，账本记的不是钱是人情 ### 一致性锚点 1. **泛黄封面** — 棉线装订的账本，封面黄得发脆 2. **墨书店名** — 封面竖写『赵记包子铺』四个行书墨字 3. **赊账页** — 内页一行行赊账记录，墨迹深浅不一 4. **末页新墨** — 最后一页墨迹格外新，像刚写不久 ### 状态变体 - **合着**：`the closed ledger book on pure white background, tabletop scale, yellowed cotton-thread binding, four ink characters on the cover, worn corners, semi-realistic painterly, no people no hands` - **翻开**：`the open ledger book on pure white background, tabletop scale, rows of handwritten credit records in ink, the last page with fresher ink, old paper texture, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the aged cloth-bound ledger book on pure white background, tabletop scale, ancient Chinese shop ledger, yellowed pages, four handwritten ink characters on the cover, cotton thread binding, worn corners, slightly open, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the tabletop scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing five: cover calligraphy, thread binding, credit page handwriting, worn corner, fresh ink on last page small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` --- ## P07 青铜戒（柳含烟遗信） 情感余韵：戒内藏遗信与干红梅，种梅誓言与入梦托付的物证 ### 一致性锚点 1. **戒面红梅** — 旧青铜戒面刻一枝红梅，线条有磨损 2. **可旋戒身** — 戒身可旋开，接缝细密 3. **内藏纸卷** — 戒内藏一卷油纸信与一枝压干的红梅 4. **铜绿锈** — 戒沿带一层铜绿锈 ### 状态变体 - **合着**：`the old bronze ring on pure white background, handheld scale, plum-blossom branch engraved on the face, green patina along the rim, small enough for a finger, semi-realistic painterly, no people no hands` - **旋开**：`the opened bronze ring on pure white background, handheld scale, the band twisted open revealing a tiny rolled paper letter and a pressed dried red plum blossom inside, green patina, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the old bronze ring with engraved plum blossom on pure white background, handheld scale, ancient Chinese bronze jewellery, green patina, band slightly open showing a tiny rolled letter and a pressed red plum blossom inside, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the handheld scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing five: engraved plum blossom, patina, twist seam, rolled letter, pressed plum inside small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ``` --- ## P08 镇渊令 守渊一脉信物：裴无咎所赠，入魔渊地宫开道、印证守渊人身份 ### 一致性锚点 1. **乌铁令牌** — 乌黑铁令，哑光，边角被摩挲得圆润 2. **篆书镇渊** — 正面阳刻篆书『镇渊』二字 3. **背面云纹** — 背面满刻云纹，深浅不匀 4. **旧系绳** — 顶部孔穿旧皮绳，绳结磨亮 ### 状态变体 - **正面**：`the black iron token on pure white background, handheld scale, seal-script characters for guarding the abyss carved on the front, matte dark iron, rounded worn edges, old leather cord through the top hole, semi-realistic painterly, no people no hands` - **背面**：`the black iron token turned over on pure white background, handheld scale, cloud pattern carved on the back, matte dark iron, worn edges, old leather cord, semi-realistic painterly, no people no hands` ### 出图提示词包 **主视角 EN** ```text the black iron command token on pure white background, handheld scale, ancient Chinese xianxia relic, seal-script characters carved on the front, cloud pattern on the back, matte dark iron with worn rounded edges, old leather cord through the top, semi-realistic painterly, no people, no hands ``` **反向提示词** ```text people, human figures, hands, fingers, text, watermark, signature, cluttered background, reflections, shadows on backdrop ``` **设定图 EN** ```text Single prop model sheet on ONE 16:9 landscape canvas with a PURE WHITE BACKGROUND for easy keying. Hero view: the handheld scale prop shown large at three-quarter view, centred, fully visible, no cropping. A thin L-shaped detail border runs along the bottom and right edges containing four: seal-script characters, cloud pattern, worn edge, leather cord knot small isolated close-up studies, each on clean white, separated by thin white lines. PROPORTIONS ARE CRITICAL - the hero prop must keep real-world scale, the detail studies give way not the prop. Semi-realistic environment concept art, painterly rendering with visible brush texture, grounded architectural perspective, cinematic depth ```