# E14-04 · H3 提示词

首帧 = **f1.png**。图片按 Picture 序号挂载：

- Picture 1 = f1.png（**首帧**，钉 0.00 秒）
- Picture 2 = f2.png（钉 4.90 秒）
- Picture 3 = f3.png（钉 7.40 秒）
- Picture 4 = f4.png（钉 11.20 秒）

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How the reference pictures align with the target video — Picture 1 (from Shot 1) aligns with the 0.00-second mark of the target video; Picture 2 (from Shot 2) aligns with the 4.90-second mark of the target video; Picture 3 (from Shot 3) aligns with the 7.40-second mark of the target video; Picture 4 (from Shot 4) aligns with the 11.20-second mark of the target video.
integrated_multimodal_description:
[Shot 1] medium shot of Medium static shot, hidden behind a stone pillar, a gaunt young man clenches his sword hilt until his knuckles turn white, dim oil lamp flickers, red ritual lines glow faintly across the stone floor, cinematic film still <d>[Chinese] 情报上写的是练气九层。</d>
[Shot 2] At 00:04.900, the camera cuts to <Picture 2>: wide shot of Wide panning shot, a gaunt blood-robed figure turns and sweeps his gaze across the stone chamber, red ritual lines tracing the floor, iron cages looming in shadow, his eyes stopping on the pillar, cinematic film still (camera: pan left)
[Shot 3] At 00:07.400, the camera cuts to <Picture 3>: close-up of Close static shot, hollow-eyed gaunt figure with a high iron hairpin sneers as he speaks, cold breath visible, dim lamp glow catching his sunken cheeks, red carving lines pulsing at frame bottom, cinematic film still <d>[Chinese] 出来吧。外面那个凡人，也一并炼了。</d>
[Shot 4] At 00:11.200, the camera cuts to <Picture 4>: extreme wide shot of Extreme-wide tracking shot, the young survivor steps out from behind the pillar into the stone chamber, blood-red floor array between them, iron cages lined in shadow, the gaunt senior narrowing his eyes, cinematic film still <d>[Chinese] 找的就是你。</d>
overall_soundscape: The faint hiss of oil flame, rustle of a sword being drawn, soft footsteps on cold damp stone, clink of cage chains in shadow.
non_diegetic_music: Low droning dark erhu and drum pulse, tense and restrained before the confrontation.
