{
  "name": "老周头",
  "aliases": [
    "老周",
    "周爷爷",
    "厨房烧火的",
    "后脑勺扎小辫的老头"
  ],
  "importance": "minor",
  "oneLiner": "杂役院厨房烧火的老头，年轻时是外门弟子、伤了根基跌回凡人，七十岁仍能单手提两桶水，一句话点破养气诀真意\"练的不是气，是定\"。",
  "persona": {
    "gender": "男",
    "ageRange": "约七十岁",
    "identity": "玄霄剑宗杂役院厨房烧火的老人，年轻时曾是外门弟子，伤了根基跌回凡人",
    "appearance": "蹲在灶台前烧火，一张脸被火光照得发红，后脑勺扎着根灰白的小辫；穿打补丁的粗灰布短褐、系围裙（推断），手劲大，七十岁仍能单手提两桶水。",
    "personality": [
      "实在",
      "慧眼",
      "耐心",
      "通透",
      "不爱多话"
    ],
    "temperament": "说话慢条斯理、带着灶台的烟火气，看人很准；对实诚的后生格外照顾。",
    "motivation": "守着厨房过日子，把自己多年练养气诀的心得传给真正想活命的年轻人（推断）。",
    "arc": "从跌回凡人的外门旧人，到用一句\"练的不是气，是定\"点亮杂役修行的厨房老人——戏份少，却是沈砚入道的第一盏灯",
    "relationships": [
      {
        "name": "沈砚",
        "relation": "向其请教养气诀、借出手写心得的后生"
      },
      {
        "name": "赵小乙",
        "relation": "杂役院同伴，向沈砚报他底细的胖墩"
      }
    ],
    "evidence": [
      "老周头，年轻时是外门弟子，后来伤了根基跌回凡人，他天天练养气诀，七十岁了还能单手提两桶水！",
      "老周头正蹲在灶台前烧火，一张脸被火光照得发红，后脑勺果然扎着根灰白的小辫。",
      "实诚。比那些嘴上说'问道长生'、心里惦记着升官发财的小崽子强。",
      "养气诀练的不是气，是'定'。心定了，气才能顺着骨头缝走。你绝脉淤塞，更要慢，更要稳，急不得。"
    ]
  },
  "image": {
    "style": "半写实厚涂",
    "prompt": "Bust portrait, three-quarter view, of a wiry elderly Han Chinese kitchen elder in ancient Chinese cultivation-era (xianxia) China: about seventy, leathery sun-worn face flushed red from cooking fire, thin grey-white braid tied at the back of the head, sparse eyebrows, kind crinkled eyes with deep laugh lines; patched coarse grey cotton tunic with a cloth apron and rolled sleeves, thick calloused forearms, holding a fire iron. Semi-realistic character illustration, painterly rendering with soft blended edges and visible brush texture, anatomically grounded. Skin with age spots, visible pores and uneven flushed tone, warm patient gaze. Soft warm firelight background, soft directional key light from the upper left with cool fill, shallow depth of field, face sharpest.",
    "promptLocal": "半身肖像，四分之三侧脸：一位约七十岁、精瘦的汉人老人，古代中国仙侠时代剑宗杂役院的灶房老人；脸被灶火烤得发红、沟壑纵横，后脑扎一根灰白细辫，眉毛稀疏，眼角笑纹深；穿打补丁的粗灰布短褐、系围裙、袖子挽起，前臂粗粝有力，手里握一把火钳。半写实厚涂插画，柔和边缘与可见笔触，解剖结构扎实。皮肤有老年斑、可见毛孔与不均匀的红潮，目光温和而有耐心。暖融融的火光背景，左上方柔和方向主光、冷色补光，浅景深，面部最实。",
    "negativePrompt": "plastic or waxy skin, over-smoothed airbrushed complexion, poreless doll face, perfectly symmetrical face, dead flat eyes without specular highlight, helmet-like hair with no loose strands, flat untextured fabric with no weave or wear, stiff mannequin posing, extra fingers, malformed hands, text, watermark, signature, busy or patterned background, harsh cast shadows on the backdrop",
    "tags": [
      "semi-realistic",
      "painterly",
      "character portrait",
      "cultivation-era",
      "Han Chinese",
      "kitchen elder",
      "grey braid"
    ],
    "sheet": "Single character model sheet on ONE 16:9 landscape canvas, thin hairline rules dividing the canvas into three zones, clean white background with even margins all around. Semi-realistic character illustration, painterly rendering with soft blended edges and visible brush texture, anatomically grounded. Han Chinese, ancient Chinese cultivation-era (xianxia) setting: a wiry elderly kitchen elder, about seventy, patched coarse grey cotton tunic with a cloth apron and rolled sleeves, thin grey-white braid tied at the back of the head, fire iron in hand. LEFT ZONE occupying about 34% of the canvas width: one large bust portrait, head and shoulders centered like an ID photo, both shoulders fully visible, bottom edge cropped straight and level — the reference face, fully detailed: leathery flushed skin, sparse eyebrows, kind crinkled eyes, deep laugh lines, age spots, the grey-white braid visible behind the ear. RIGHT-TOP ZONE: full-body front / side / back three views standing in a row on one shared ground line, identical head-to-body proportions and limb lengths, feet on the same ground line, headroom above and footroom below, PROPORTIONS ARE CRITICAL — never stretch or squash the figure; the figures keep their true proportions and the detail studies give way, not the figures. RIGHT-BOTTOM ZONE: four to five small isolated close-up detail studies in an evenly spaced row, noticeably smaller than the full-body figures: the grey-white braid with its cord, the fire iron, the patched apron, the rolled sleeves with frayed cuffs, the calloused hands. The right-zone faces must match the left-zone reference exactly: same face, same braid, same kindly expression. LIGHTING IN THE LEFT ZONE ONLY: a soft directional key light from the upper left with gentle falloff, subtle ambient occlusion under the chin, in the eye sockets and where the collar meets the neck, giving the head real volume. LIGHTING IN THE RIGHT ZONES: flat even orthographic lighting with no directional key and no cast shadows, so the figures stay measurable and cleanly cut out"
  },
  "voice": {
    "timbre": "沙哑苍老的男中低音，喉音与烟火气重，不紧不慢",
    "pitch": "低",
    "pace": "缓慢，句子中间常有火钳拨柴般的停顿",
    "accent": "带乡音的北方官话，土味足",
    "emotion": "平和慈和，看人很准的笃定",
    "referenceHint": "像一个蹲在灶前烧了一辈子火、一句话就能点醒人的老把式",
    "prompt": "Seventy-year-old male, gravelly worn baritone, low-mid pitch range, warm breathy support, narrow gentle dynamic range. Moderate relaxed volume, slow unhurried pace, level even intonation. Northern central Mandarin with a slow country drawl. Kind, patient and quietly knowing."
  }
}