{
  "name": "外门师兄",
  "aliases": [
    "孙望",
    "郑魁",
    "孙师兄",
    "郑师兄"
  ],
  "importance": "minor",
  "oneLiner": "剑宗外门两位练气弟子的合并形象（孙望/郑魁）：一个夺剑羞辱、一个擂台轻视，先后被绝脉凡人沈砚当众打脸的爽点工具人。",
  "persona": {
    "gender": "男",
    "ageRange": "青年（约二十岁上下，推断）",
    "identity": "玄霄剑宗外门弟子；孙望为练气五层外门弟子，郑魁为练气六层内门弟子候补",
    "appearance": "原文未写长相，合并形象为推断：青白道袍、腰佩长剑，身量偏高偏壮，气焰嚣张；孙望惯扛一柄沉甸甸的阔剑，郑魁使大开大合的裂山剑法。（推断）",
    "personality": [
      "傲慢",
      "欺软怕硬",
      "记仇",
      "莽撞",
      "外强中干"
    ],
    "temperament": "仗着修为高一线就对杂役吆五喝六、出言羞辱；被当众打脸后脸色惨白、灰溜溜下台。",
    "motivation": "在杂役面前抖威风、羞辱新来的沈砚，想在擂台上找回场子，结果两次沦为打脸背景板（推断）。",
    "arc": "从两次羞辱沈砚的骄横外门弟子，到两次被当众打脸的背景板——纯粹的爽点工具人",
    "relationships": [
      {
        "name": "沈砚",
        "relation": "被他羞辱、又被反杀的杂役"
      },
      {
        "name": "梁青崖",
        "relation": "孙望骂其为\"捡回来的野种\"的外门巡使"
      }
    ],
    "evidence": [
      "搬去剑阁，小心点，磕坏了你赔不起。",
      "剑心认主？笑死人了。剑心认主的人，会连一柄剑都搬不动？我看你就是梁师叔捡回来的野种，编个名头糊弄人罢了。",
      "上次是我大意。这次，我要你躺着下去。",
      "杂役，认输吧。我不想欺负你。",
      "孙望吃痛，阔剑脱手飞出，\"当啷\"一声砸在擂台上。",
      "郑魁喷出一口血，倒在地上，挣扎着没能爬起来。"
    ]
  },
  "image": {
    "style": "半写实厚涂（Semi-realistic painterly）",
    "prompt": "Bust portrait, three-quarter view, of an arrogant junior sword-sect disciple, a young Han Chinese cultivator in ancient Chinese cultivation-era (xianxia) China: early twenties, ordinary sharp-nosed face with a sneering mouth and tilted chin, brows raised in disdain; clean pale grey-blue sect robe with a plain cloth belt, a wide-bladed sword slung across his back, one hand resting on the hilt. Semi-realistic character illustration, painterly rendering with soft blended edges and visible brush texture, anatomically grounded. Skin with visible pores and a smug reddened complexion, mocking half-lidded eyes. Neutral pale background, soft directional key light from the upper left with cool fill, shallow depth of field, face sharpest.",
    "promptLocal": "半身肖像，四分之三侧脸：一位二十岁出头、神气活现的年轻汉人剑修弟子，古代中国仙侠时代剑宗普通弟子；面容平平、鼻梁尖削，嘴角下撇、下巴微扬，眉眼写满轻蔑；穿素净的灰蓝道袍、束布腰带，背后斜挎一柄宽刃剑，一手搭在剑柄上。半写实厚涂插画，柔和边缘与可见笔触，解剖结构扎实。皮肤可见毛孔、带着得意而泛红的血色，半眯的眼里是嘲讽。中性浅色背景，左上方柔和方向主光、冷色补光，浅景深，面部最实。",
    "negativePrompt": "plastic or waxy skin, over-smoothed airbrushed complexion, poreless doll face, perfectly symmetrical face, dead flat eyes without specular highlight, helmet-like hair with no loose strands, flat untextured fabric with no weave or wear, stiff mannequin posing, extra fingers, malformed hands, text, watermark, signature, busy or patterned background, harsh cast shadows on the backdrop",
    "tags": [
      "semi-realistic",
      "painterly",
      "character portrait",
      "cultivation-era",
      "Han Chinese",
      "sect disciple",
      "sword"
    ],
    "sheet": "Single character model sheet on ONE 16:9 landscape canvas, thin hairline rules dividing the canvas into three zones, clean white background with even margins all around. Semi-realistic character illustration, painterly rendering with soft blended edges and visible brush texture, anatomically grounded. Han Chinese, ancient Chinese cultivation-era (xianxia) setting: an arrogant young sword-sect disciple, early twenties, clean pale grey-blue sect robe with a plain cloth belt, wide-bladed sword slung across his back. LEFT ZONE occupying about 34% of the canvas width: one large bust portrait, head and shoulders centered like an ID photo, both shoulders fully visible, bottom edge cropped straight and level — the reference face, fully detailed: sharp nose, sneering mouth, tilted chin, raised disdainful brows, mocking half-lidded eyes. RIGHT-TOP ZONE: full-body front / side / back three views standing in a row on one shared ground line, identical head-to-body proportions and limb lengths, feet on the same ground line, headroom above and footroom below, PROPORTIONS ARE CRITICAL — never stretch or squash the figure; the figures keep their true proportions and the detail studies give way, not the figures. RIGHT-BOTTOM ZONE: four to five small isolated close-up detail studies in an evenly spaced row, noticeably smaller than the full-body figures: the wide sword blade with its plain guard, the cloth belt knot, the grey-blue robe weave and collar, the rolled cuffs, the sneering smirk expression study. The right-zone faces must match the left-zone reference exactly: same face, same hair, same smug expression. LIGHTING IN THE LEFT ZONE ONLY: a soft directional key light from the upper left with gentle falloff, subtle ambient occlusion under the chin, in the eye sockets and where the collar meets the neck, giving the head real volume. LIGHTING IN THE RIGHT ZONES: flat even orthographic lighting with no directional key and no cast shadows, so the figures stay measurable and cleanly cut out"
  },
  "voice": {
    "timbre": "尖亮油滑的男青年声，鼻腔共鸣重，爱拖腔拿调",
    "pitch": "中高",
    "pace": "快，话多，爱抢白",
    "accent": "带点市井油腔的官话，尾音拖长",
    "emotion": "傲慢轻蔑，被打脸后气急败坏",
    "referenceHint": "像一个仗着修为高就欺软怕硬、被当众拆台就炸毛的宗门纨绔",
    "prompt": "Twenties male, nasal smug tenor, mid-to-high pitch range, thin chest support, narrow showy dynamic range. Loud bragging volume, fast glib pace, sneering downward intonation. Mandarin with a jianghu drawl and dragged endings. Arrogant and mean-spirited."
  }
}